Pandemic Pedagogy 2.0: Coreen McGuire – The Pandemic and Teaching Practice: thoughts on subtitles and accessibility

The fourth in our series of blog posts offering perspectives on Pandemic Pedagogy, is by Coreen McGuire, Lecturer in Twentieth-Century British History at Durham University. Her first book, Measuring Difference, Numbering Normal: Setting the standards for disability in the interwar period combines history of medicine, science and technology studies, and disability history. She won the Disability History Association prize for outstanding article in 2020 and is currently working on a co-authored book project on British scientist Dr Phyllis Kerridge’s contributions to science in Britain with Dr Jaipreet Virdi for Johns Hopkins Press.

You can find out more about Coreen’s work at her website, (www.coreenmcguire.com) and on Twitter @coreen_anne


Hearing loss affects around 12 million people (1 in 5 adults) in the UK.[1]  Despite its ubiquity, it remains a stigmatised condition that some choose not to disclose or to hide from people in the workplace due to fear of discrimination. The pandemic has had especially pernicious effects on Deaf people. [2] It has also been harmful to the broader spectrum of people who present as hearing and who do not or cannot disclose their hearing loss. Imagine if you will, a person who has successfully managed their hearing loss in the workplace prior to the pandemic using a combination of hearing aids, lip-reading, and other assistive technology. Now working at home, their meeting and interactions with service-users take place over zoom where there are no captions and speakers often turn their videos off due to low bandwidth (precluding lip-reading). The impossibility of using (most current NHS) hearing aids with headphones means that they have to rely on their remaining residual hearing to try to comprehend their colleagues. This means that their attention and energy is constantly exhausted in the pursuit of basic comprehension, leading to fatigue, mistakes, frustration, and accusations of incompetence. The situation is so intolerable that this person is planning to quit a highly skilled job that they have worked at for over 25 years.[3] If this highly trained professional is finding it impossible to request or receive adequate support for managing their hearing loss, then one can only imagine how difficult it must be for the many students now working in similar situations.[4]

Online learning has exacerbated existing problems around hearing loss and technology. Despite the fact that the technology that would allow people with hearing loss to participate in online learning is available, it has been frustratingly underused and underappreciated. At the start of last term, I searched advanced zoom features to try and find live subtitle functionality. I found a feature that allowed me to enhance my appearance; there was not one for captions. Building these kinds of priorities into technologies is a choice, and one that has caused widespread frustration.

Subtitles are a brilliant learning tool and a good example of a ‘curb cut effect’. This effect is so called because when disabled activists in the US fought to create dropped kerbs for wheelchair use it was quickly apparent that this design feature also benefited groups including caregivers using prams, children using bicycles, and those delivering heavy goods. In this way, assistive technology ends up benefiting everyone in society.

Subtitles work in this way because while though were originally designed by and for Deaf people, they are now appreciated by a much larger swathe of users.[5] They allow people to watch videos while in a noisy environment or when in a more public space, something that is especially beneficial to students who do not have private study space while working at home. They help comprehension for students for whom English is not a first language, and help people learn languages more effectively. They improve our ability to understand and retain technical information. For instance, a student learning Scandinavian history for the first time has told me that having captions would allow them to effectively recall and search for information on historical individuals whose names are not obvious from their pronunciation. Crucially, subtitles help people for cognitive reasons as they aid comprehension and processing. Indeed, they may be one of the most valuable teaching aids we have as they improve general cognition, attention, and comprehension of material.[6] That they help us both retain information and remember material means they are an invaluable revision tool. However, incorporating these tools into university teaching has presented some considerable challenges.

For the purposes of this blog, I have been using captions and subtitles as synonymous terms, which is not strictly accurate. A simple way of thinking about the difference between the two is that subtitles involve translation, while captions simply reproduce speech. What is critical to note is that automatic captions are an inherently flawed solution. Voice recognition technologies tend to rely on biased data sets, which lead to inadequate and faulty results—especially for users with higher voices and/or with non-standard accents. As a historian of technology and disability, I am fascinated by that fact that this is due to the origination of this technology in the telephone system.[7] As a Scottish woman however, I am just frustrated. Systems that work algorithmically are better and I have used this effectively to transcribe oral histories taken online. So far, though, I have not been able to use these systems to effectively live-transcribe speech, though there are promises that this may soon be possible.

In the case of pre-recordings, far better are STL subtitles, which allow users to edit grammar, font, format, and correct any errors. They are much easier to design so the text appears in exact synchronicity with the spoken word, which is far better for comprehension. This ensures that the subtitles are accessible for users with dyslexia or sight loss. I should note here that almost all my knowledge about these processes is owed to the generous sharing of knowledge of colleagues (particularly on Twitter) who have shared their practices for creating subtitles.[8] I spent time over the summer working on embedding subtitles into online videos and became fairly accomplished at it. However, it takes a huge amount of time to do well. A five-minute introductory film I created for one module before the start of term took me a full Saturday to successfully subtitle. Even allowing for increased speed from practice, this is an impossible ask to put on top of a full teaching load in the best of times, never-mind while working from home in a pandemic. Realistically, we cannot ask individual lecturers to take responsibility for providing subtitles. Help and support for this, including live transcription services, must be embedded into the wider infrastructure of the University, ideally backed by government support.

The coronavirus pandemic and the repeated UK lockdowns have revealed patterns of societal inequities through the repeated correlation between inequality and high mortality. Working from home has also underlined structures of privilege in the subtle advantages that households with good access to WIFI, green-space, and flexible working patterns have over those without. Yet the shift from office to home and the move from teaching face-to-face to teaching online has had some advantages. For those with chronic illnesses, the disabled, and any students who does not fit the ‘traditional’ student profile virtual learning technologies have allowed some greater degree of control over learning, flexibility around teaching, and opportunity for participation. It is crucial that these changes to teaching practice and these opportunities remain in place long term. Subtitles are a crucial part of the way that we can retain and embed accessibility into our learning in the long term.

Notes:

[1] Royal National Institute for the Deaf, ‘Facts and figures’ Accessed January 2021 <https://rnid.org.uk/about-us/research-and-policy/facts-and-figures/>

[2] The Pandemic has disproportionately negatively impacted on Deaf people including on their ability to access healthcare according to a survey done by Sign Health, Accessed January 2021  https://signhealth.org.uk/resources/coronavirus-impacts-report/

[3] I am presenting this as a hypothetical scenario to retain this individual’s anonymity.

[4] Managing hearing loss is a term deployed by Karen Sayer and Graeme Gooday in their 2017 book, Managing the Experience of Hearing Loss in Britain, 1830–1930

[5] Many auditory technologies we now rely on have resulted from disabled innovation.

[6] M. A. Gernsbacher, ‘Video Captions Benefit Everyone’ Policy insights from the behavioral and brain sciences, 2:1 (2015), 195–202. doi.org/10.1177/2372732215602130

[7] M. Mills and X. Li, ‘Vocal Features: From Voice Identification to Speech Recognition by Machine’, Technology and Culture 60, 2 (2019)

[8] Disabled activists on Twitter are a constant source of knowledge and innovation and I’ve been especially grateful to advice garnered from Jai Virdi, James Sumner, and Vanessa Heggie. I’ve also been impressed to organisations who have supported subtitles in their conferences, such as the British Society for the History of Science. Megan Baumhammer and Sarah Qidwai also did a brilliant job of making their virtual HistsTM conferences accessible.


If you would like to contribute a short blog post or podcast/video that addresses how the pandemic has changed or affected history teaching and learning in Higher Education then please email Dr Sarah Holland (sarah.holland@nottingham.ac.uk), History UK’s Education Officer.

Pandemic Pedagogy 2.0: Lucinda Matthews-Jones – The Paper-Based Digital Classroom

The second blog post following on from our Pandemic Pedagogy initiative is by Lucinda Matthews-Jones, a lecturer at Liverpool John Moores University. She teaches nineteenth-century gender and urban history modules. Her dynamic and innovative teaching approaches were recognised in 2018 when she awarded a Vice-Chancellor’s Individual Teaching Award. Beyond the classroom, she researches ideas of home and urban domesticities in the British Settlement Movement, 1880-1920. Lucinda tweets @luciejones83.


I am a paper-based lecturer and teacher. Before COVID-19, you would have found me moving around my university building with large rolls of paper and a tote bag filled with coloured pens, glue sticks, post notes, and scissors. For me, asking students to work on paper in groups or as individuals enabled them to break down and cement their ideas through a visual format. It helped me to see what they had picked up and to expand these points in classroom discussions.

But how could I replicate this in the digital classroom? There has been a tendency to think that this needs to be done through digital tools. But if the non-digital class can be based on mixed media then why not the digital, too? Why must the digital classroom be paperless? It felt like digital fatigue had hit both me and the students in the second half of the semester in Autumn 2020. Discussions with personal tutees and other students had made me increasingly aware that recorded lectures were taking a lot of time and energy both to produce and consume. As History UK’s Pandemic Pedagogy Handbook observed ‘screen-time and remote interaction have a cumulative effect; the result is mentally and physically draining’.

My first-year students had a ‘how to respond to your feedback’ seminar coming up for their academic skills module and I wanted to think more creatively about how to get them to engage with the department’s writing guide. I decided that breaking it down and asking students to create a zine relating to the section that they had been assigned would help them to process the complex information written down in the guide and get them to think about how to communicate this in a creative manner. Students were sent class instructions through our VLE (see below).

Here is a picture of one zine and the page from LJMU’s History Guide it refers to.

Here is a picture of one zine and the page from LJMU’s History Guide it refers to.

Students reported that the exercise encouraged them to read the material differently by emphasising the need to break it down and to think about how to display the guide’s information. They enjoyed the idea that the exercise was for a wider audience and not just them reading through the guide on their own. At the end of the session, contributions were sent to me and put into a PDF.

Handwriting and hand drawing can improve people’s ability to remember. Hetty Roessingh, for instance, has noted that handwriting notes and sketching has enhanced her students ‘understanding and remembering’ by encouraging them to make ‘personal connection’ through ‘creative thought’.  Roessingh continues that ‘hand-written notes matter and endure over time.’ Asking students to do paper-based creative exercise also changes the embodied experiences of digital learning. It encourages the eyes to look down and focus on the task, minimising screen time during a seminar.

The picture above shows a mind map illustrating one approach taken by students.

The picture above shows a mind map illustrating one approach taken by students.

This session was intended to be light-hearted and a bit different from previous weeks. What I found was that I really enjoyed it. The conversations were dynamic and interesting as I moved around the breakout rooms. I felt more like me as a lecturer, having neither the know-how nor confidence around some digital technologies that others have used to transition their teaching online. Paper based activities will now be the focus of my teaching in semester 2.

What paper-based activities have you been using in your teaching? I would love to hear!

Class instructions

To help you prepare for the next assessment we will be digging into the LJMU Writing Guide. Together we will create a zine of top tips from this based on your feedback and what surprises you from the guide and feel your peers would benefit from.

Before class: 

  • Please make sure you have downloaded: LJMU_Writing_History_v1.pdf
  • Have some paper and any coloured pens to hand. You can also bring newspaper, magazines, glue, and scissors if you want to do something more multimedia. But you do not have too. You can do this exercise on a class.

In class: 

  • You will be spilt into groups and given a section
  • Be able to take an image of your hand out and email to  Lucie for her to collate.
  • Be prepared to summarise and explain your zine page.

Want to know more about Zines? Read here: How to Make a Zine: Guide to Making Your Own Zine During Quarantine – Thrillist (Links to an external site.).


If you would like to contribute a short blog post or podcast/video that addresses how the pandemic has changed or affected history teaching and learning in Higher Education then please email Dr Sarah Holland (sarah.holland@nottingham.ac.uk), History UK’s Education Officer.

History UK student video competition – winning entry

As part of our ongoing Pandemic Pedagogy initiative, we are delighted to be able to announce that the winner of our student video competition is Deborah Arolake Adelodun, a History student at the University of Warwick. We asked entrants to reflect on their experience of being a student of History in the new digital world and were particularly impressed with Deborah’s entry, which considers some of the benefits of the transition to learning digitally. You can watch Deborah’s video here:

We also asked Deborah to write short reflection to expand on some of the points that she makes in the video:

In this video I share some of my own opinions about being a history student in a “new digital world.” Firstly, it is important to note that in understanding the impact of this new digital world has on History students it is also important to look at the pandemic that precipitated this new shift. If there is anything Covid-19 has shown it is the significance of history experts in understanding and helping to tackle crisis, leading to History degrees hopefully being regarded with more prestige and respect. I think the transition to online learning has produced considerable benefits, one major one being an increased room for flexibility. Online lectures, for example, have meant less rigid and controlled schedules. Students now have the luxury of working in their own time at a suitable pace. However, naturally, this change does present some challenges. I personally have found myself experiencing a sense of disconnectedness. It is fair to say that a computer screen cannot provide the same experiences human interaction can and have done in the past. Not being able to physically interact with others or even be in the same room as classmates can make one feel isolated and perhaps even alone during one’s journey at university. Notwithstanding, I believe the occasional face-to-face lessons have compensated for this alienation to some degree and, despite the limitation imposed by Covid-19, the overall experience has helped to engage history students with broader debates and discussion. It is quite clear that lecturers have thoughtfully shaped online learning with the aim of providing quality and relatively easy-to-use teaching that can be matched with conventional, in-person teaching.

Professor Rebecca Earle, Head of the Department of History at the University of Warwick, had the following to say about Deborah’s contribution:
As Deborah Arolake Adelodun observes in this thoughtful video, we are ourselves a part of history, even if we don’t always see ourselves in this light.  Future generations will consider the ways in which higher education responded to the challenges of this pandemic. When they do, they will be impressed by the incisive analysis offered by today’s university students, and also by the ability of students such as Deborah Arolake Adelodun to take a critical, historical perspective on this global calamity.

We are keen to hear from about the experiences of other students so please do get in touch on Twitter or via this blog if you’d also like to share your insights into your recent experiences.

History UK student video competition – What’s it like to be a history student in this new digital world?

The move to online and blended learning has had a big impact on university staff and students alike. At the same time, COVID-19 and related restrictions have highlighted the important role the arts and humanities can have in times of crisis.

History UK invites video submissions from current undergraduates and taught postgraduate students that offer creative and imaginative insights into what it’s like to be a history student in this new digital world. You might reflect on the different ways you or other students have navigated the shift to online or blended learning, or you might want to explore the ways the pandemic and related restrictions have made you think differently about history and the relevance of your degree. Submissions can be made individually or as a team.

The entries will be used by History UK as part of its mission to support historians in higher education in the UK. Through its Pandemic Pedagogy project, History UK has gathered a lot of feedback from staff and provided them with guidance on online learning. We’re now keen to gather some student perspectives to complement these resources.

 

Deadline: Wednesday 28 October, 5pm.

 

Eligibility: undergraduate (i.e. BA) and taught postgraduate students (i.e. MA/MSc) of History currently registered at UK higher education providers.

 

Prizes:

1st: £250

2nd: £100

3rd: £50

 

Submission requirements: 

Submissions should be made by emailing historyuk2020@gmail.com by 5pm on Wednesday 28 October with a link to a downloadable version of your video file (e.g. Google Drive, Dropbox, MS OneDrive, WeTransfer).

  • The video should be in a YouTube acceptable format (.MOV .MPEG4, .MP4, .AVI).
  • It should be a maximum of 120 seconds long (excluding credits).
  • You must include credits citing all the materials used.
  • Music, sound effects, and stock footage should have a Creative Commons license attached (from CC-BY-NC-SA up to Public Domain) and be cited in the credits.
  • Audio quotes can be used but comply with the concept of fair dealingand fair use. This typically means editing down to the length of time needed to make the point clear (typically less than 20 seconds).
  • You must get written permission from all people in the video.
  • Along with your video submission, please provide your name(s), your course(s) of study, institution, and the contact details of a tutor who will be able to verify your identity.
  • Entrants will retain ownership over their entries. By submitting an entry, entrants grant History UK a non-exclusive, royalty-free, right and licence to display, publish, transmit, copy, edit, and use the entry in any media, to promote History UK or for educational purposes.

Download a pdf of this call here.

Some good reasons why History really matters

We’d like to thank Rachel Best and Leanne Smith, current and former students of History at the University of Sunderland, for contributing to this blog post, and Dr Sarah Hellawell (Sunderland) for encouraging them to share their experiences with History UK.


Unfortunately, several History programmes have closed down, including the announcement of the end of history-teaching at the University of Sunderland earlier this year, with recent stories about cuts to Humanities departments suggesting that more bad news may be just around the corner. However, as History UK’s response to the closure at Sunderland makes clear, History degrees – and humanities subjects more generally – remain highly relevant and valuable subjects for a wide variety of reasons, including:

  • The best potential employees in a modern dynamic economy are not, as all good employers know, those taught to perform a narrow and specific task, but confident, well-rounded, flexible, and, above all, thinking individuals.

  • History students gain a range of skills in information gathering, analysis, and communication that are relevant to almost all employment areas.

  • The best guarantor of employability, as a joint CBI-UUK report from 2009 argued, lies in developing precisely the ‘soft’, transferable, and person-centred skills which history degrees excel in providing.

  • As well as supplying a pipeline of skilled, creative, and dynamic graduates, history contributes directly to the economy through the heritage sector. A recent report from Historic England on behalf of the Historic Environment Forum showed that for England alone Heritage provides a total GVA (gross value added) of £31 billion and over 464,000 jobs.

The contemporary significance of History has been underlined by the Black Lives Matter movement, while simultaneously being called into question by recent government rhetoric around ‘low value’ degrees, not to mention the outright hostility of some figures in the public eye to academic historians.

It is notable, however, that while professing to speak for students, many critiques of History (and Humanities more generally) at university don’t let students speak for themselves. There is no reference, for instance, to the discipline’s consistently high student satisfaction ratings. The student voice (or voices) purportedly so important to policymakers, is rarely heard.

We were therefore delighted to receive the following contributions from two students of History from the University of Sunderland, which we think give a real flavour of why History matters for them.

 

Rachel Best, 2nd Year History student, University of Sunderland

The years before I considered doing any sort of degree were years languishing in, what the present government calls, unskilled work.  It is far from that, however, but, to some, it may become unfulfilling when these types of jobs become the only option in which to earn a living.  I decided, then, to apply for the Politics and History BA Honours course at Sunderland University, as the choices of Politics and History graduates are many when the time comes to explore career options.  Additionally, this course allowed me to have an eye on my future, while exploring my passions in an academic setting. It revealed so many more avenues of interest than my mere hobby status in these subjects allowed.

At the beginning, I believed my personal focus would err towards a political weighting of the degree.  But, as my studies have progressed, I have found the History modules I chose to be of greater interest and inspiration.  I have met many people from the long eighteenth century I had never encountered before, who deepened my understanding of the “whys” and “hows” that frame our engagement with society and the state we live in now.  I have met people from Africa, the Americas, Russia, France, Germany, the former Dutch Republic and, of course, the United Kingdom, who have all contributed to, through critique or celebration (but mostly critique!), the social and political organization we see all around us today. It reveals how we are all connected.

Studying this course has opened an inner world that I barely knew existed before I embarked upon my advanced studies. I can write. I never knew that before. I can present evidence and analysis in support of concepts that I was hitherto ignorant of only two years before. I want to be better at this. I have tapped into the rich reserves of academic thought that present humanity at its most complex.  I want to know more! This course has given me a purpose. By engaging with the past, History has given me a future.

 

Leanne Smith, PhD Candidate at Newcastle University, BA and MA History graduate from the University of Sunderland

I had always regretted not going to university when I left school so after the birth of my son, I took the opportunity to fulfil this life-long dream. What I would study was never in question. Whether it was visiting museums, art galleries, watching a documentary (anyone who knows me knows how much I enjoy a documentary), or simply reading a book I have always been fascinated by history. I completed an Access to Higher Education course at college. After attending an open day and an amazing taster session I applied to the University of Sunderland. The course was exactly what I was looking for and as my son was still young, so it was important that I stay local.

As a mature student, I was nervous about attending university. I had never written an essay and had taken my last exam in 1996 but I graduated with a first- class honours degree in 2017. I immediately enrolled onto the new Master’s degree course in Historical Research, also at the University of Sunderland, to pursue my interest in intellectual history. It was during my MA that I started to think about the possibility of applying for a PhD. Because of my circumstances as a single parent I knew that without funding it would be too much of a challenge. With the support of the lecturers at both Sunderland and Newcastle University I put forward and application for funding through the Northern Bridge Consortium. I am now over half-way through the first year as a fully-funded PhD student at Newcastle University.

Studying history has not only expanded my knowledge of the past and allowed me to develop a long list of ‘transferable’ skills but more importantly it has also shown me why knowing our past is important. I had previously, and rather naively, accepted without question what had been written. The history I had known was stories of progress and glorification. Studying history has taught me to challenge the existing historical narratives. To question what I have read and heard. To challenge my own preconceived ideas. For me personally it has provided me with a new way of not only looking at the past but also seeing and understanding the world around me.